Director: Gaspar Noé
Written Gaspar Noé
Camera: Benoît Debie
Starring: Paz de la Huerta, Nathaniel Brown, Cyril Roy, Emily Alyn Lind, Jesse Kuhn
The Cinematic Works Gaspar Noe's is almost archetypal for polarizing an audience, Misanthrope or irreversible split the opinions of the audience as well as the press. That Noe's films are not made for a mainstream audience would not be a secret, which is not likely to be due to the often dramatically-realistic depiction of violence, because it is in the mainstream cinema has long since become mainstream. Here are the dramatic and cinematic techniques that Noe's films invariably hard to digest . Make Often act in his films about deprived people what their supposed security and how the hopelessness of fate and predestination befall them.
A beautiful nightmare! could
Noe manages to use his films to the viewer to be aware his own mortality, ENTER THE VOID, so to speak understood as a consciousness-science fiction, especially visually reminiscent of Stanley Kubrick 2,001th Dramatically, the film is completely decoupled from all other unconventional and Erzähformen. If you want to classify Gaspar Noe's latest film in the history of film, so you would have a direct comparison do with other media, as it were, ENTER THE VOID is the cinematic equivalent of the expressionist novels Ulysses and Berlin Alexanderplatz [these works to split their readers today]. Even with the wild, typographically overwhelming bias is classified ENTER THE VOID smoothly into the Noah's filmography. The film is a gigantic, [truly!] Dizzying iconoclasm that it creates a unique way the beauty of a destructive tragedy nierderschmetternden capture. The viewer has the subjective camera in ENTER THE VOID delivered merciless and experienced the events in part of the first-person perspective of the Oscars drug dealer who wants to get his sister Linda, often, the film shows his World but also from a dramatic entirely detached perspective and creates a very unique atmosphere. The story is told very loose and lets the viewer much room for interpretation, however, is clear from the beginning that the story will take very drastic and grueling proportions. The megalopolis Tokyo serves as a nightmarish scene of this story and is trapped in a very artificial and colorful way. ENTER THE VOID throws the audience into a discussion about desire, loss and destruction, and lets the spirit finally slipped away in the eponymous void drift to generate a new beginning. It is difficult to Iconoclasm to escape, while a very strong psychological and physical stress quite well for the viewer.
Tokyo glow vibrates and radiates with energy
The presentation of the history of ENTER THE VOID is at once expressionistic and explotativ - as an unfiltered assault on the synapses. The camera work and color ENTER THE VOID make it a stunning work of art and produce a completely new viewing experience, the content of external beauty and destructiveness of an ingenious contradiction. One group will hate him, many will love him - a real Gaspar Noe and just also happen to be very big cinema!
both content and form gives the film a very nice addition to the noisy representation of consciousness change in Ken Russell's ALTERED STATES [Altered] from the year 1980.
10/10 overworked brain cells
A highlight of 2010: This unique film was included in the annual list of the most successful films in 2010 !
publication: ENTER THE VOID ran into a very begrenzeten number of German cinema and on 28.01.2010 from CAPE LIGHT in a beautiful Mediabook as DVD / Bluraykombo erscheinen. Unten ein Bild der französischen Ultimate Edition, welche unter anderem den englischen Originalton und die Langfassung [174 min. 24p/sec] enthält.
Dieses beindruckende Video zeigt die Entstehung der virtuosen Spezialeffekte. Hier war sichtbar ein Team mit einer Vision am Werk!
Hier noch ein paar Eindrücke aus ENTER THE VOID, dem neuen Werk von Gaspar Noe [MENSCHENFEIND, IRREVERSIBLE]:
Der Trailer zu ENTER THE VOID vermittelt die innovativen Images of energy and film:
