38 Weeks And Having Discharge

127 HOURS


Regie: Danny Boyle
Buch: Simon Beaufoy, Danny Boyle
Darsteller: James Franco, Treat Williams, Amber Tamblyn, Kate Mara

Danny Boyle hat den Zuschauer im Kinosessel schon in ein großes Spektrum unterschiedlichster Universen katapultiert. Sei es der Mikrokosmos des englischen Drogenmillieus [TRAINSPOTTING], der Makrokosmos der britischen Gesellschaft nach einer Invasion von Untoten [28 DAYS LATER] oder sogar in den weiten Kosmos selbst [SUNSHINE]. Es ist schön zu sehen, dass sich Boyle bei jedem his films to a whole new experiment and faces up to his Oscar-winning SLUMDOG MILLIONAIRE is not resting on laurels vile.

Rookie

127 Hours, his latest film, a surprisingly relaxed and warm-hearted retelling of the fate of Aron Ralston, an adventure in 2003, fewer than 127 hours [!] Caught in a crevice was . Refreshing here is that the film in this scenario, the focus is not on the usual nihilistic loss of hope is, but it tells how much can hang a man in his life. In this sense, is 127 HOUR an ode to hope and a history of a thrilling battle for survival.

The will to survive

Boyle gets the interest of viewers in that he fills the character of Ralston in flashbacks and dream sequences to life. Under the consideration that [almost] the entire movie with his true background locally very restricted, there are no significant narrative lengths. James Franco proves to be a successful choice for the sympathetic figure of the adrenaline junkies Ralston. Although annoying at times of "hip" for the documentary style popular use of split screens, but this is pretty much the only formal blemish, the one in Boyle's energetic project may determine. 127 Hours has long residual effect on the audience, because what is seen as dramatic in its details may have been so motivating are the last pictures that we dismiss the film in the wide world.


8 / 10 cans Mountain Dew

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SIX FEET UNDER [1-5]


concept
Alan Ball Director: Alan Ball , Kathy Bates, Lisa Cholodenko and more.
Starring: Peter Krause, Michael C. Hall, Peter Cromwell, Rachel Griffiths, Ben Foster, Freddie Rodruigez, Kathy Bates, Mena Suvari and more.

Television as Cinema "this maxim has the American pay-TV channel Home Box Office Television [short: HBO]. Made his own the motto produced the station great miniseries like THE WIRE, SOPRANOS, or such, this study series SIX FEET UNDER, which the Claim this claim to redeem, and far beyond.

of sadness and hope

Alan Ball, creator of this group wrote, among other things [at the time by many directors hotly contested] script to AMERICAN BEAUTY and results in his series the socially critical approach of the Oscar-winning screenplay consistently pursued. be behind the facade of a funeral, many social Broken taboos and some narrative stereotypes skillfully uncovered and uprooted. Small and big stories of homosexuality, drugs, sex addiction, adultery and bereavement are told to sensitive and totally unpretentious way. You can tell how much the heart of everyone involved in this series depends on the actors [including Michael "DEXTER" C. Hall, James Cromwell, Rachel Griffiths and Peter Krause] all act well and get strong support from a [especially for the TV format ] excellent camera work, a profound selection of songs and a brilliant script. There is no sagging, each episode is a little narrative and highlight is a useful piece of the puzzle in a large, five-season portfolio of paintings. The high points and low points of the sad Fisher family to touch the audience again and again and lead to a truly heartbreaking and completely felicitous finale [Here no eye remains dry].

entertaining and engaging at the highest level.

SIX FEET UNDER is a giant Tragigkomödie with a considerable size and a draft, which no [Cinema] film implementation would be fair. Up to this series one would claim that only the medium "book" was capable, because every character in this series has a tangible background lives a life of credible and "breathes" normal. Each character is likable and understandable in its way, implausible passages do not exist, and this very rare circumstance makes this series so comprehensively managed. SIX FEET UNDER, a series - no, a work of art - carved in marble, gilt and glued to the TV screen.


10/10 advice from beyond

ZDF_NEO radiates from January 2011, the complete series on Wednesdays from 22:30 clock. Alternatively, there is the complete series at very reasonable prices on well with DVDs.

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BLACK SWAN


Director: Darren Aronovsky
book Andres Heinz, Mark Heyman
Starring: Natalie Portman , Barbara Hershey, Mila Kunis, Vincent Cassel, Winona Ryder

ambition a person can destroy - true to the motto of the film BLACK SWAN the ballerina Nina observed in their preparations for the lead role in Swan Lake. The great artistic pressure releases in Nina and dark forces threatening to engulf her personality completely. Of course, BLACK SWAN is not a dance film honest, but the same is true at the beginning of a very ominous tone and presents itself as a powerful [Horror] thriller.

An elegant dance in the darkness

Even in Dario Argento's SUSPRIRIA was a ballet school in the stronghold of evil. There were witches, which young dancers in the insanity [or in the death of] excessive, in Darren Aronovskys BLACK SWAN is evil on the other hand indicated only takes but a no less important. The growing ambition of the protagonist manifests itself more and increases to the absolute madness. BLACK SWAN breathes the spirit of a classic, cool thriller, as it would have been about John Schlesinger [MARATHON MAN] or Roman Polanski [Rosemary's Baby] rotate - Aronovsky [PI, REQUIEM FOR A DREAM, THE WRESTLER] adds in places its almost surreal work of a pinch of horror and is distinguished by its sensitive powers of observation on the genre conventions. The real power from the film of the ambivalence in the character of Natalie Portman, who mutates from the white swan eponymous BLACK SWAN. Violence and sexual fantasies are not a taboo here - these themes relates to the film much of its visual and narrative power.

black or white?

Natalie Portman plays the role in BLACK SWAN their lives, they are fragile and are dominant at the same time, a contrast, which force the entire movie with. The work of cinematographer Mathew Libatique wraps the film in a very dark and at the same time aesthetic pictures, which are visible from Argento's horror classic inspired. Even the soundtrack of nervenzerrende Aronovskys master composer Clint Mansell contributes a large part on the successful atmosphere. BLACK SWAN beyond the boundaries between madness and reality, and opens into a successful and highly emotional finale. Aronovskys latest coup is a strong thriller that will change every second, between horror and Schöhneit - absolutely intoxicating!


9 / 10 demonic Prima Ballerina